1 00:00:38,229 --> 00:00:45,150 Sometimes, apparently normal situations are mixed with turmoil, in a 2 00:00:45,150 --> 00:00:46,610 continuous succession of emotions. 3 00:00:48,690 --> 00:00:55,350 Desire and the continuous search for sin sometimes determine the infringement of 4 00:00:55,350 --> 00:01:01,590 those codes and rules that, although they have not been written, should never 5 00:01:01,590 --> 00:01:02,670 be violated. 6 00:02:28,210 --> 00:02:34,050 God, how I would like to hold you in my arms, feel the taste of your lips, 7 00:02:34,330 --> 00:02:35,990 blush your skin. 8 00:02:36,890 --> 00:02:38,770 No girl is equal to you. 9 00:02:39,130 --> 00:02:42,650 The sweetness that I express in your eyes enchants me. 10 00:02:43,230 --> 00:02:46,830 No, I can't love you, it's not allowed to me. 11 00:02:47,390 --> 00:02:52,710 Yet, if I were to make a sacrifice for you, I would be willing to lose my soul. 12 00:03:05,960 --> 00:03:06,960 What is that face? 13 00:03:07,360 --> 00:03:08,820 In short, what's wrong? 14 00:03:09,400 --> 00:03:10,400 Do you want to explain? 15 00:03:11,400 --> 00:03:14,440 I just don't share your idea of ​​having to go to that agency. 16 00:03:15,400 --> 00:03:16,600 Here we are again. 17 00:03:17,460 --> 00:03:19,980 How many times do I have to tell you that you don't have to worry? 18 00:03:20,600 --> 00:03:22,900 And then I know very well where to go myself. 19 00:03:24,160 --> 00:03:27,240 So, if it were for you, I would always go to the pub. 20 00:03:27,680 --> 00:03:28,720 You misunderstand me. 21 00:03:29,680 --> 00:03:31,320 I just want the best for you. 22 00:03:31,820 --> 00:03:35,840 I just don't trust those damn charlatan managers who promise you a lot of money 23 00:03:35,840 --> 00:03:37,620 and only give you a few pennies. 24 00:03:38,100 --> 00:03:40,040 And then, they never call you. 25 00:03:41,380 --> 00:03:42,420 You're such a pessimist. 26 00:03:43,080 --> 00:03:44,820 And then, they're not all the same. 27 00:03:45,700 --> 00:03:48,520 I believe in myself, and I also believe in my abilities. 28 00:03:49,820 --> 00:03:51,280 You're just jealous, aren't you? 29 00:03:52,540 --> 00:03:57,760 It will be as you say, but I still think that those guys are all made of the same 30 00:03:57,760 --> 00:03:58,760 dough. 31 00:03:58,900 --> 00:03:59,900 And then... 32 00:04:00,120 --> 00:04:01,680 I don't want anything bad to happen to you. 33 00:04:02,320 --> 00:04:04,400 Come on, now wish me good luck. 34 00:04:06,120 --> 00:04:07,780 Yes, ok, ok. 35 00:04:08,280 --> 00:04:09,280 Good luck. 36 00:04:09,940 --> 00:04:11,500 You're such a little girl, aren't you? 37 00:04:11,960 --> 00:04:14,120 I wouldn't be your sister otherwise, would I? 38 00:04:15,140 --> 00:04:16,480 Silvia? Yes? 39 00:04:17,260 --> 00:04:18,260 Be careful. 40 00:05:06,830 --> 00:05:08,770 Silvia? Yes, I'm here. Please, take a seat. 41 00:05:16,710 --> 00:05:17,710 Mr. 42 00:05:20,030 --> 00:05:21,630 Casanova, Silvia has arrived. 43 00:05:21,930 --> 00:05:22,930 Go ahead. 44 00:05:24,930 --> 00:05:26,050 Please, Silvia, take a seat. 45 00:05:26,310 --> 00:05:27,310 Thank you. 46 00:05:27,930 --> 00:05:32,850 I saw your photographic book, and I must say that it is a truly remarkable body. 47 00:05:33,800 --> 00:05:35,860 You know that for our work, physicality is very important. 48 00:05:37,040 --> 00:05:41,240 And I must say that you have all the requisites to be able to go on in this 49 00:05:41,240 --> 00:05:43,340 field. I thank you, Mr. 50 00:05:43,660 --> 00:05:46,920 Casanova. So, you tell me that I can work for your staff. 51 00:05:47,500 --> 00:05:48,500 What should I do? 52 00:05:50,220 --> 00:05:56,620 Photographic services, fairs, television appearances, and why not, also movies. 53 00:05:57,160 --> 00:05:59,740 Movies? Does that mean that I can also become an actress? 54 00:06:01,280 --> 00:06:02,840 Of course. 55 00:06:04,650 --> 00:06:08,370 But to get to this, I want to see to what extent you are determined. 56 00:06:09,210 --> 00:06:10,210 Do anything, 57 00:06:10,790 --> 00:06:12,090 put me to the test. 58 00:06:13,570 --> 00:06:14,930 Get up, come here. 59 00:06:42,860 --> 00:06:43,860 It should be this. 60 00:07:27,570 --> 00:07:28,830 Buongiorno. Buongiorno. 61 00:07:29,050 --> 00:07:30,050 Lei signore? 62 00:07:30,190 --> 00:07:31,830 Rolli. Andrea Rolli. 63 00:07:32,150 --> 00:07:36,230 Avevo un appuntamento con... No, nessun appuntamento. Sono venuto qui per mia 64 00:07:36,230 --> 00:07:37,250 sorella. Silvia? 65 00:07:37,690 --> 00:07:38,690 Dov'è? 66 00:07:38,930 --> 00:07:41,970 In questo momento sta parlando con il manager. 67 00:07:42,350 --> 00:07:46,790 Comunque se vuole aspettare... Vi faccio vedere dov'è. Scusi, dov'è il vato? 68 00:07:47,310 --> 00:07:49,810 Torni indietro! Non si può entrare! 69 00:10:07,470 --> 00:10:08,470 What's wrong with you? 70 00:10:09,570 --> 00:10:11,230 Why are you crying? 71 00:10:12,150 --> 00:10:13,810 And what are you doing with my clothes? 72 00:10:14,870 --> 00:10:15,870 Put them on! 73 00:10:17,410 --> 00:10:18,410 How could you? 74 00:10:19,750 --> 00:10:20,750 What do you mean? 75 00:10:21,470 --> 00:10:23,150 How could you with that bastard? 76 00:10:24,950 --> 00:10:26,030 Ah, I see. 77 00:10:26,410 --> 00:10:27,510 So you followed me. 78 00:10:28,390 --> 00:10:29,630 And you saw everything, right? 79 00:10:30,270 --> 00:10:31,270 Well, yes. 80 00:10:32,290 --> 00:10:35,170 I saw you there, in his office. 81 00:10:39,590 --> 00:10:42,310 While... I don't want to make you think, my God. 82 00:10:42,670 --> 00:10:44,410 Come on, don't cry anymore. 83 00:10:45,290 --> 00:10:46,670 So I can't see you. 84 00:10:49,930 --> 00:10:55,710 I thought... That pig could have touched you. With those dirty hands. 85 00:10:57,430 --> 00:10:59,170 I have always respected you. 86 00:11:00,290 --> 00:11:02,550 I have never even hit you with a finger. 87 00:11:03,310 --> 00:11:05,190 Despite my growing love. 88 00:11:06,730 --> 00:11:07,730 I'll kill him. 89 00:11:07,990 --> 00:11:08,990 I'll kill him! 90 00:11:10,590 --> 00:11:14,010 Silvia, don't pretend anymore. I'm sick and tired of seeing you like this. 91 00:11:15,110 --> 00:11:16,110 You were right. 92 00:11:16,350 --> 00:11:18,150 I should have listened to you. 93 00:11:21,930 --> 00:11:25,930 Silvia... I love you. 94 00:11:26,810 --> 00:11:27,810 Do you understand? 95 00:11:28,190 --> 00:11:29,210 I love you. 96 00:11:31,290 --> 00:11:32,590 Even though I'm your brother. 97 00:11:34,570 --> 00:11:36,130 I have a deep love for you. 98 00:11:39,290 --> 00:11:41,650 Stupid, but you have to tell me, don't you? 99 00:11:42,550 --> 00:11:46,690 I love you too, I love you so much. And I was ashamed to tell you all this. 100 00:11:48,190 --> 00:11:53,210 You don't know how much I wanted you, touching me, dreaming of your hands on 101 00:11:53,210 --> 00:11:54,210 my body. 102 00:11:55,470 --> 00:12:01,750 Silvia, if this is a dream, please, don't wake me up. 103 00:12:02,570 --> 00:12:03,690 It's not a dream, love. 104 00:12:04,080 --> 00:12:05,080 You got it out. 105 00:12:43,240 --> 00:12:44,600 This is the beginning of a blessing. 106 00:13:16,360 --> 00:13:19,400 How long did you imagine this moment? 107 00:13:19,920 --> 00:13:20,920 I have no idea. 108 00:13:21,120 --> 00:13:22,260 Yes? Yes. 109 00:13:23,780 --> 00:13:25,300 And how many times did you dream about it? 110 00:14:18,570 --> 00:14:19,570 Did you get a shot? 111 00:14:20,370 --> 00:14:21,370 Oh, maybe I should see. 112 00:16:04,430 --> 00:16:05,430 Mmm. 113 00:16:45,740 --> 00:16:48,540 oh um 114 00:17:12,240 --> 00:17:13,240 Awesome. 115 00:17:44,800 --> 00:17:45,800 Yes, sir. 116 00:22:55,720 --> 00:22:56,720 Mwah! 117 00:33:27,820 --> 00:33:31,540 Two friends are the protagonists of this episode. 118 00:33:32,820 --> 00:33:39,520 They leave for a vacation in Budapest, near a family 119 00:33:39,520 --> 00:33:40,520 home. 120 00:33:41,480 --> 00:33:47,320 They still don't know that they will have to witness a rather disconcerting 121 00:33:47,320 --> 00:33:50,880 situation and an even more dramatic epilogue. 122 00:33:58,350 --> 00:33:59,350 Buona vision! 123 00:34:54,240 --> 00:34:55,880 What do you think of this? 124 00:34:56,880 --> 00:34:59,040 Well, listen. 125 00:35:00,060 --> 00:35:03,200 What is here, I will take it for free. 126 00:35:04,660 --> 00:35:08,220 You will inherit the whole thing. 127 00:35:08,420 --> 00:35:10,820 But why do I have to do this? I am doing it for you. 128 00:35:12,600 --> 00:35:13,600 Now listen. 129 00:35:14,280 --> 00:35:15,280 I don't care. 130 00:35:15,700 --> 00:35:18,120 What I say, you do. 131 00:35:20,160 --> 00:35:21,160 Come here. 132 00:35:55,149 --> 00:35:56,149 That's my best friend. 133 00:37:33,609 --> 00:37:37,270 to understand what is going to happen tonight. 134 00:38:07,210 --> 00:38:08,770 What do you think? 135 00:38:09,610 --> 00:38:10,610 Wait a minute. 136 00:38:10,830 --> 00:38:11,830 Here it is. 137 00:38:11,930 --> 00:38:12,930 Yes. 138 00:38:21,050 --> 00:38:25,530 Hello. We are Alessandro and Alessandro. We came to Porto d'Alitalia. Hello. 139 00:38:25,890 --> 00:38:26,890 Hello. 140 00:38:27,950 --> 00:38:29,030 Hello. Thank you. 141 00:38:43,120 --> 00:38:44,300 Here are the Oles boys. 142 00:38:45,680 --> 00:38:46,680 Take them upstairs. 143 00:39:12,560 --> 00:39:13,560 Thank you. 144 00:39:14,300 --> 00:39:15,500 Nice room, isn't it? 145 00:39:16,020 --> 00:39:17,200 Very nice. 146 00:39:18,460 --> 00:39:24,820 You know what's really cool? 147 00:39:25,360 --> 00:39:26,360 I didn't notice. 148 00:39:26,720 --> 00:39:30,380 But be careful, because in Prague you ruined them all. 149 00:39:30,640 --> 00:39:32,340 I have to leave at least one here. 150 00:39:32,620 --> 00:39:35,740 Let's see, if you're in, maybe I can leave it. 151 00:39:36,160 --> 00:39:38,560 I'm in, I'm in, I'm in. We'll see tonight. 152 00:39:39,280 --> 00:39:40,198 Don't worry. 153 00:39:40,200 --> 00:39:42,220 I'm usually too cool when you say that. 154 00:39:43,220 --> 00:39:44,178 Don't you think? 155 00:39:44,180 --> 00:39:45,180 Italian is always Italian. 156 00:39:45,460 --> 00:39:48,000 And then me. You've known me for so many years, so you know, right? 157 00:39:49,740 --> 00:39:52,260 Look, I'll also tell you where I'll put myself. There. 158 00:39:52,520 --> 00:39:53,520 On this bed. 159 00:39:54,560 --> 00:39:56,560 Just because I know you, poor moron. 160 00:40:29,580 --> 00:40:32,040 No, no, tranquilo, sono semplicemente io. 161 00:40:34,240 --> 00:40:36,480 Grazie. E' un po' per me, eh? 162 00:40:37,980 --> 00:40:39,540 Vuoi tenermi un attimo? 163 00:40:41,740 --> 00:40:42,740 Sì? 164 00:40:44,220 --> 00:40:48,100 Ma... è per caso il boyfriend? 165 00:40:48,480 --> 00:40:49,480 You, boyfriend? 166 00:40:49,760 --> 00:40:50,760 Yes, boyfriend. 167 00:40:51,060 --> 00:40:52,720 But, no speak. 168 00:40:53,000 --> 00:40:54,000 No speak? 169 00:40:55,220 --> 00:40:58,540 Perché sei veramente beautiful. 170 00:41:00,550 --> 00:41:05,230 Beautiful eyes, beautiful hair. 171 00:41:05,550 --> 00:41:06,890 It's good. 172 00:41:13,110 --> 00:41:19,630 It's possible you want a kiss, that you kiss 173 00:41:19,630 --> 00:41:20,870 Basho? No. 174 00:41:21,270 --> 00:41:22,270 No? 175 00:42:45,370 --> 00:42:49,510 Andrea! Andrea, where are you? Oh, sorry, sorry. 176 00:42:52,850 --> 00:42:53,910 Andrea, come down! 177 00:42:57,210 --> 00:42:59,910 Sit down. 178 00:43:01,330 --> 00:43:02,870 What were you doing up there? 179 00:43:03,170 --> 00:43:04,370 I was making fun of one of the boys. 180 00:43:06,850 --> 00:43:12,110 How many times do I have to tell you that there is no sex in this house? 181 00:43:13,000 --> 00:43:14,000 I don't know. 182 00:43:15,440 --> 00:43:17,320 There's only one boy in this house. 183 00:43:17,660 --> 00:43:18,660 And that's me. 184 00:43:19,940 --> 00:43:21,180 Do you understand? 185 00:43:21,740 --> 00:43:22,800 I do. Dad. 186 00:43:24,280 --> 00:43:25,280 Get down. 187 00:43:51,420 --> 00:43:52,420 Now, 188 00:44:00,120 --> 00:44:03,680 as we did last time, open my legs. 189 00:44:18,440 --> 00:44:19,440 Do you like it? 190 00:44:19,480 --> 00:44:20,480 No. 191 00:44:22,360 --> 00:44:23,000 The 192 00:44:23,000 --> 00:44:30,680 other 193 00:44:30,680 --> 00:44:33,600 one too. 194 00:44:43,800 --> 00:44:44,920 Play with it. 195 00:44:46,520 --> 00:44:47,720 I love myself. 196 00:44:49,900 --> 00:44:50,900 You can. 197 00:46:06,890 --> 00:46:07,890 I love you. 198 00:50:38,029 --> 00:50:40,830 um um 199 00:51:01,770 --> 00:51:03,170 Yeah. 200 01:00:36,170 --> 01:00:37,170 Yeah. 201 01:01:16,650 --> 01:01:19,250 This house and the man. 202 01:01:20,310 --> 01:01:21,310 Father. 203 01:01:46,060 --> 01:01:50,620 Like all the girls of my age, in addition to working in the studio, I 204 01:01:50,620 --> 01:01:54,960 dream of a better life, a husband, a family, and children to raise. 205 01:01:58,120 --> 01:02:02,620 Maybe you'll think I'm a fool, but I feel the irretrievable desire to give 206 01:02:02,620 --> 01:02:03,960 myself completely to a person. 207 01:02:04,420 --> 01:02:08,960 But at the same time, to feel loved and filled with attention. 208 01:02:10,180 --> 01:02:13,400 Those attentions that I missed as a child. 209 01:02:18,570 --> 01:02:23,110 My mother abandoned me when I was only six years old, leaving me and my father 210 01:02:23,110 --> 01:02:25,310 to follow a man older than her. 211 01:02:25,830 --> 01:02:28,370 Poor dad, since then he has not recovered. 212 01:02:29,290 --> 01:02:33,670 He rarely comes out of the house, drinks, smokes and always has a sad 213 01:02:33,670 --> 01:02:34,670 face. 214 01:02:38,250 --> 01:02:41,370 Yet he has grown up making me miss nothing. 215 01:02:42,750 --> 01:02:44,610 I have to do something for him. 216 01:02:45,900 --> 01:02:48,560 I'd be willing to do anything to see him happy. 217 01:02:50,000 --> 01:02:51,720 Maybe... Yes. 218 01:02:52,400 --> 01:02:54,020 Maybe my love will save him. 219 01:03:50,220 --> 01:03:51,220 Thank you. 220 01:12:22,000 --> 01:12:23,000 Thank you. 221 01:15:22,250 --> 01:15:23,250 Yeah. 222 01:23:38,190 --> 01:23:39,190 Ugh. 223 01:26:02,830 --> 01:26:03,830 Oh!